2015
De Valk, R., Weyde, T. (2015). Bringing ‘Musicque into the tableture’: Machine learning models for polyphonic transcription of sixteenth-century lute tablature. Early Music, accepted.
Sigtia, S., Benetos, E., Boulanger-Lewandowski, N., Weyde, T., d’Avila Garcez, A., and Dixon, S. (2015). A hybrid recurrent neural network for music transcription. IEEE International Conference on Acoustics, Speech, and Signal Processing, Apr. 2015, accepted.
2014
Kachkaev, A., Wolff, D., Barthet, M., Plumbley, M., Dykes, J., and Weyde, T. (2014). Visualising Chord Progressions in Music Collections: A Big Data Approach. In: Conference on Interdisciplinary Musicology, Dec. 2014.
Barthet, M., Plumbley, M., Kachkaev, A., Dykes, J., Wolff, D., and Weyde, T. (2014). Big Chord Data Extraction and Mining. In: Conference on Interdisciplinary Musicology, Dec. 2014.
Tidhar, D., Dixon, S., Benetos, E., and Weyde, T. (2014). The Temperament Police. Early Music, 42(4):579-590, Nov. 2014.
Benetos, E., Badeau, R., Weyde, T., and Richard, G. (2014). Template adaptation for improving automatic music transcription. In: 15th International Society for Music Information Retrieval Conference, pp. 175-180, Oct. 2014.
Sigtia, S., Benetos, E., Cherla, S., Weyde, T., d’Avila Garcez, A., and Dixon, S. (2014). An RNN-based music language model for improving automatic music transcription. In: 15th International Society for Music Information Retrieval Conference, pp. 53-58, Oct. 2014.
Cherla, S., Weyde, T., and d’Avila Garcez, A. (2014). Multiple viewpoint melodic prediction with fixed-context neural networks. In: 15th International Society for Music Information Retrieval Conference, pp. 101-106, Oct. 2014.
Lambert, A., Weyde, T. and Armstrong, N. (2014). Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs. In: 3rd International Workshop on Musical Metacreation, held at the 10th Artificial Intelligence and Interactive Digital Entertainment Conference, pp. 18-24, Oct. 2014.
Wolff, D. and Weyde, T. (2014). Adapting computational music similarity models to geographic user groups. Poster at International Conference of Students of Systematic Musicology, Sep. 2014. (Abstract)
Lambert, A., Weyde, T., and Armstrong, N. (2014). Beyond the beat: towards metre, rhythm and melody modelling with hybrid oscillator networks. In: Joint 40th International Computer Music Conference and 11th Sound & Music Computing conference, pp. 485-490, Sep. 2014.
Wolff, D., Tidhar, D., Benetos, E., Dumon, E., Cherla, S., and Weyde, T. (2014). Incremental dataset definition for large scale musicological research. In: 1st International Digital Libraries for Musicology workshop, pp. 25-32, Sep. 2014.
Weyde, T., Cottrell, S., Dykes, J., Benetos, E., Wolff, D., Tidhar, D., Kachkaev, A., Plumbley, M., Dixon, S., Barthet, M., Gold, N., Abdallah, S., Mahey, M., Tovell, A., and Alencar-Brayner, A. (2014). Big Data for Musicology. In: 1st International Digital Libraries for Musicology workshop, pp. 85-87, Sep. 2014.
Benetos, E., Ewert, S., and Weyde, T. (2014). Automatic transcription of pitched and unpitched sounds from polyphonic music. In: IEEE Int. Conf. on Acoustics, Speech, and Signal Processing, pp. 3131-3135, May 2014.
Wolff, D., Weyde, T. (2014). Learning music similarity from relative user ratings. In: Springer Information Retrieval, 17(2):109-136, Apr. 2014. The final publication is available at springer.com
Wolff, D., Bellec, G., Friberg, A., MacFarlane, A., and Weyde, T. (2014). Creating audio based experiments as social web games with the CASimIR framework, In: AES 53rd Int. Conf. on Semantic Audio, 10 pages, Jan. 2014.
Tran, S. N., Wolff, D., Weyde, T., and Garcez, A. (2014). Feature preprocessing using RBM for music similarity learning, In: AES 53rd Int. Conf. on Semantic Audio, 8 pages, Jan. 2014.
Benetos, E., Jansson, A., and Weyde, T. (2014). Improving automatic music transcription through key detection, In: AES 53rd Int. Conf. on Semantic Audio, 7 pages, Jan. 2014.
2013
Velarde, G., Weyde, T., and Meredith, D. (2013). An approach to melodic segmentation and classification based on filtering with the Haar-wavelet. Journal of New Music Research, vol. 42, no.4, pp . 325-345, Dec. 2013. The final version is available at Taylor and Francis
Wiering, F. and Benetos, E (2013). Digital musicology and MIR: papers, projects, and challenges. International Society for Music Information Retrieval Conference Late-breaking Session, Nov. 2013.
Cherla, S., Weyde, T., Garcez, A., and Pearce, M. (2013). A distributed model for multiple-viewpoint music prediction. In: 14th International Society for Music Information Retrieval Conference, pp. 15-20, Nov. 2013.
Benetos, E. and Weyde, T. (2013). Explicit duration hidden Markov models for multiple-instrument polyphonic music transcription. In: 14th International Society for Music Information Retrieval Conference, pp. 269-274, Nov. 2013.
De Valk, R., Weyde, T., and Benetos, E. (2013). A machine learning approach to voice separation in lute tablature. In: 14th International Society for Music Information Retrieval Conference, pp. 555-560, Nov. 2013.
Cherla, S., d’Avila Garcez, A., and Weyde, T. (2013). A neural probabilistic model for predicting melodic sequences. In: 6th International Workshop on Machine Learning and Music, Sep. 2013.
Benetos, E., Cherla, S., and Weyde, T. (2013). An efficient shift-invariant model for polyphonic music transcription. In: 6th International Workshop on Machine Learning and Music, Sep. 2013.
De Valk, R., and Weyde, T. (2013). A computational approach to recognising polyphonic structure in sixteenth-century lute tablature. In: 6th International Conference of Students of Systematic Musicology, Sep. 2013.
Bellec, G., Friberg, A., Wolff, D., Elowsson, A., and Weyde, T. (2013). A social network integrated game experiment to relate tapping to speed perception and explore rhythm reproduction. In: Sound and Music Computing Conference, pp. 19-26, Aug. 2013.
Weyde, T., Slabaugh, G., Fontaine, G., and Bederna, C. (2013). Predicting Aquaplaning Performance from Tyre Profile Images with Machine Learning. In: International Conference on Image Analysis and Recognition, pp. 133-142, July 2013.
Velarde, G., Weyde, T., and Meredith, D. (2013). Wavelet-filtering of symbolic music representations for folk tune segmentation and classification. In: 3rd International Workshop on Folk Music Analysis, pp. 56-62, June 2013.
2012
Wolff D., Stober, S., Nürnberger, A., Weyde, T. (2012). A Systematic Comparison of Music Similarity Adaptation Approaches. In: Proceedings of the 13th International Society for Music Information Conference. Porto, Portugal, October 2012.
Wolff D., Weyde, T. (2012). Adapting Similarity on the MagnaTagATune Database: Effects of Model and Feature Choices. In: Proceedings of 4th International Workshop on Advances in Music Information Research. Lyon, France, April 2012.
Velarde, G., Weyde, T. (2012). On Symbolic Music Classification Using Wavelet Transform. In: International Conference on Applied and Theoretical Information Systems Research. Taipei, Taiwan, 2012.
2011
Wolff D., Weyde, T. (2011a).
On Culture-dependent Modelling of Music Similarity. In: Proceedings of the 4th International Conference of Students of Systematic Musicology, Cologne, Germany, October 5-7, 2011.Wolff D., Weyde, T. (2011b). Adapting Metrics for Music Similarity Using Comparative Ratings. In: Proceedings of the 12th International Society for Music Information Conference. Miami, Florida, USA, October 2011.
2010
Wissmann J., Weyde, T., Conklin, D. (2010). Chord Sequence Patterns OWL. In: Proceedings of the Sound and Music Computing Conference 2010. Universidat Pompeu Fabra, Barcelona, Spain, July 2010.
2009
Honingh, A., Weyde, T. and Conklin, D. (2009). Sequential Association Rules in Atonal Music. In: Proceedings of the Second International Conference on Mathematics and Computation in Music. Yale University, New Haven, Connecticut, USA, 19 - 22 June 2009.
2008
Neubarth, K., Gehrs, V., Sutton, L., Weyde, T. and Poggio, L. (2008). The European Curriculum Challenge: a Case Study in Technology-Supported Specialised Music Education. In: Proceedings of the Fourth I-MAESTRO Workshop on Technology Enhanced Music Education, co-located with the 8th International Conference new Interfaces for Musical Expression, Genova, 04 June 2008.
Ng, K., Weyde, T., and Nesi, P. (2008): i-Maestro: Technology-Enhanced Learning for Music. In: Proceedings of ICMC2008: International Computer Music Conference, Belfast, 24-29 August 2008.Ng, K., Ong, B., Weyde, T. and Neubarth, K. (2008). Interactive Multimedia Technology Enhanced Learning for Music with i-Maestro. In: Proceedings of ED-MEDIA 2008 World Conference on Education Multimedia, Hypermedia & Telecommunications, Vienna, Austria, 30 June - 4 July 2008.
2007
Ng, K., Weyde, T., Larkin, O., Neubarth, K., Koerselman, T. and Ong, B. (2007). 3D Augmented Mirror: A Multimodal Interface for String Instrument Learning and Teaching with Gesture Support International Conference on Multimodal Interfaces. Nagoya, Japan.
Weyde, T., Ng, K., Neubarth, K., Larkin, O., Koerselman, T. and Ong, B. (2007). A Systemic Approach to Music Performance Learning with Multimodal Technology Support. E-Learn Conference. Quebec City, Canada.
Neubarth, K., Badii, A., Weyde, T. (2007). Generation of Exercise Objects for Personalised Technology-Enhanced Music Learning. E-Learn Conference. Quebec City, Canada.
Wissmann, J. and Weyde, T. (2007). Semantic Interpretation of Multimedia Annotation Diagrams. 12th International Conference on Human-Computer Interaction. Bejing, China.
Weyde, T. and Wissmann, J. (2007a). Automatic Semantic Annotation of Music with Harmonic Structure. 4th Sound and Music Computing Conference. Lefkada, Greece.
Weyde, T. and Wissmann, J. (2007b). Experiments on the Role of Pitch Intervals in Melodic Segmentation International Conference on Music Information Retrieval. Vienna, Austria.
Wissmann, J. and Weyde, T. (2007c). Using Diagrams for the Semantic Annotation of Multimedia. Ng, K., Badii, A., Bellini, P. (editors): Proceedings of the 3rd International Conference on Automated Production of Cross-Media Content for Multichannel Distribution. Barcelona, Spain.
2006
Weyde, T (2006). Generation of Exercises and Exercise Sequences for Technology Enhanced Music Education. In: Ng, K., Badii, A., Bellini, P. (editors): Axmedis 2006 - Proceedings of the 2nd International Conference on Automated Production of Cross-Media Content for Multichannel Distribution. Leeds, UK.
Neubarth, K. and Weyde, T (2006). Using Music Processing Algorithms for Exercise Generation in Music E-Learning. In: Ng, K., Badii, A., Bellini, P. (editors): Axmedis 2006 Proceedings of the 2nd International Conference on Automated Production of Cross-Media Content for Multichannel Distribution. Leeds, UK.
2005
Weyde, T. and Datzko, C. (2005). Efficient Melody Retrieval with Motif Contour Classes, In: Proceedings of the 3rd International Conference on Music Information Retrieval 2005. Queen Mary University of London, London, UK.
Weyde, T. (2005a). Dynamic and Interactive Visualisations of MPEG Symbolic Music Representation. In: Proceedings of the 5th Open Musicnetwork Workshop. University of Vienna, Austria.
Weyde, T. (2005b). MPEG Symbolic Music Representation and Music Education Software. In: Workshop and Industrial Proceedings of the Axmedis Conference 2005. IEEE and Universita degli Studi di Firenze. Florence, Italy.
Weyde, T. (2005c). Modelling cognitive and analytic musical structures in the Musitech framework. In Proceedings of the 5th Conference on Understanding and Creating Music, Seconda Universita degli Studi di Napoli. Caserta, Italy.
2004
Weyde, T. and Wissmann, J. (2004). Visualization of Musical Structure. Proceedings of the First Conference on Interdisciplinary Musicology. Graz, Austria.
Weyde, T. und Wissmann, J. (2004a): Dynamic Concept Maps for Music. In: Proceedings of the 1st Concept Mapping Conference 2004, Public University of Navarra, Pamplona, Spain.
Weyde, T. (2004)
Application Scenarios for Music Notation in MPEG: A Music Rehearsal Companion.
In Proceedings of the 3rd Interactive
Musicnetwork Open Workshop.
Weyde, T. (2004a)
On the Influence of Pitch on Melodic Segmentation.
In: Proceedings of the Fifth International Conference on
Music Information Retrieval. Universitat Pompeu Fabra, Barclona.
Weyde, T. and Dalinghaus, K. (2004)
A Neuro-Fuzzy System for Sequence Alignment on Two Levels.
In Mathware and Soft Computing XI:2-3, ISSN: 1134-5632, pp. 197-210.
Weyde, T. (2004b)
Modeling Rhythmic Motif Structure with Fuzzy Logic and Machine Learning
In Music Query: Methods, Models, and User Studies, vol. 13 of Computing in Musicology,
CCARH and The MIT Press, Cambridge, Ma., pp. 35-50.
2003
Weyde, T. und Dalinghaus,
K. (2003).
Design and Optimization of Neuro-Fuzzy-Based
Recognition of Musical Rhythm Patterns. In International
Journal of Smart Engineering System Design, 5(2), pp. 67-79, April-June 2003.
View an earlier version.
Dalinghaus, K. and Weyde, T. (2003).
Structure Recognition on Sequences
with a Neuro-Fuzzy System.
In: Proceedings of the 3rd International Conference in Fuzzy Logic and Technology (EUSFLAT 2003)
in Zittau, Germany, pp. 386-391
2002
Noll, T.; Garbers, J.; Höthker, K; Spevak, C. and Weyde, T. (2002).
Opuscope -- Towards A Corpus-Based Music Repository.
In Michel Fingerhut (Hg.): Proceedings of the International Symposium on Music Information Retrieval. IRCAM, Paris.
Gieseking, M. und Weyde, T.
(2002). Concepts of the MUSITECH infrastructure for Internet-Based
Interactive Musical Applications. In: Nesi et. al.: Proceedings
of the Wedelmusic Conference 2002, Fraunhofer IGD, Darmstadt.
Weyde, T. (2002).
Integrating Segmentation and Similarity in Melodic Analysis. In
Proceedings of the International Conference on Music Perception
and Cognition 2002, pp 240-243, Sydney. 2001
Weyde, T. und Dalighaus,
K. (2001). Recognition of Musical Rhythm Patterns Based on a
Neuro-Fuzzy-System. In Dagli, C. H. (Hg.), Proceedings of
the ANNIE 2001 conference, St. Louis, USA.
Weyde, T. (2001a).
Grouping, Similarity and the Recognition of Rhythmic Structure. In
Proceedings of the International Computer Music Conference
2001, Havana, Cuba.
Weyde, T. (2001b).
Knowledge and Learning Based Segmentation and Recognition of
Rhythm Using Fuzzy-Prolog. In Proceedings of the 8th
Journee d’Informatique Musicale, S. 173-82. Institut
Internationale de Musique Electroacoustique de Bourges. 2000
Weyde, T. (2000).
Recognition of Rhythmic Structure with a Neuro-Fuzzy-System. In
Woods, C., Luck, G. B., Brochard, R., Seddon, F., and
Sloboda, J. A. (Hg.): Proceedings of the Sixth
International Conference on Music Perception and Cognition,
Keele, Staffordshire, UK. Department of Psychology, Keele
University.
Weyde, T. (2003).
Lern- und wissensbasierte Analyse von Rhythmen - zur Entwicklung
eines Neuro-Fuzzy-Systems für Erkennung und Vergleich rhythmischer Muster und
Strukturen. epOs-Music, Osnabrück 2003, also PhD Dissertation, University of Osnabrück, 2002. .
Weyde, T. (2001).
Bestimmung von Gestaltgrenzen und Gestaltähnlichkeiten für Musik- Retrieval (Determining Gestalt Boundaries and Similarities for Music Retrieval). In: Enders, B. (editor): Digital & Multimedia Music Publishing - KlangArt-Kongreß 2001, epOs, Osnabrück.
Weyde, T., Gieseking, M., Wollermann, T. (2001).
MUSITECH: Entwicklung von Interaktion und Navigation in musikalischen Wissensräumen.
In: Enders, B. (Ed.): Digital & Multimedia Music Publishing -
KlangArt-Kongreß 2001, epOs, Osnabrück.
Enders, B. und Weyde, T.
(1999). Das Computerkolleg Musik
- Gehörbildung, eine integrierte Lernumgebung für Musikpraxis und -theorie im
Hochschuleinsatz. In Albrecht, R. und Wagner, E. (Hg.): Lehren
und Lernen mit Neuen Medien. Medien in der Wissenschaft Bd. 12. Waxmann-Verlag,
M&uum;nster u.a..
Bericht vom der Tagung “Lernplattformen”, Hildesheim 1999.
Müßgens, B.
und Weyde, T. (1999). Untersuchungen zum musikalischen
Schrifterwerb. In Enders, B. und Stange-Elbe, J., (Hg.): Global
Village, Global Brain, Global Music - KlangArt Kongress 1999, epOs
Publishing, Osnabrück.
Weyde, T. (1999). Globale
Revolution oder digitale Kontinuität. Bericht vom KlangArt
Kongress 1999. In Musik und Bildung, (5).
Weyde, T. und Gieseking,
M. (1997). Computer- und Internetbasiertes Musiklernen In: Enders,
B. und Stange-Elbe, J. (Hg.): KlangArt Kongress 1997, Musik und
Neue Technologie, Bd. 3. Universitätsverlag Rasch,
Osnabrück.
Enders, B. und Weyde, T.
(1996). Automatische Rhythmuserkennung und -vergleich mit Hilfe
von Fuzzy-Logik. Systematische Musikwissenschaft, IV(1-2):
101-113.
Weyde, T. (1995).
Grammatikbasierte harmonische
Analyse von Jazzstandards mit
Computerunterstützung. In: Enders, B. und Knolle, N. (Hg.):
KlangArt Kongreß 1995. Musik und Neue Technologie,
Bd. 1. Universitätsverlag Rasch, Osnabrück.
Enders, B. und Weyde, T. (2002).
Computer Courses in Music - Ear Training (English
version of the Computerkolleg Musik - Gehörbildung). Schott
Musik International, Mainz.
Publications in German
Software